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Creative director: Jonathan Zawada Director: Michael Hili Editor: Ian R Wallace Producer: Henry Stone Executive producer: Ed Sholl Production Company: Kalliope Pictures Label: Future Classic DP – Dimitri Zaunders 1st AC – Trudi Gultom Tube Camera Technician/Operator – Alexander O. Smith Tube Camera Assistant/Operator – Toby Farrington 1st AD – Claudia Holmes Gaffer – Gabriel Morrison Electricians – Nicholas Jansz, Julian Pertout Grip – Richard Turton Crane operator – Joshua Lamont Motorcycle Logistics – Ben Schofield @ Hobart Motorcycles Bike & Nature face animations: Jonathan Zawada Corporation logo design: Jonathan Zawada Corporation logo animation: Mikołaj Ślepowron-Korwin & Jonathan Zawada VFX, Titles and color grade: Tal Baltuch Additional animations: Eli Magaziner Reporter – Charles Wu Cameraman – Craig Anderson Nature Face – Oliver Lee Woo Dance Captain – Ali Hickey Dancers – Hobart Dance Academy Stunt Riders – Brett Simmonds, Tim Strong PA – Sam Rutledge Set Build: Soda Projects Tasmania Scenic Assistant: Harry Gill Set Render: Kyle Jonsson Studio: Tash Wardale @ TasPorts On Set Photographer: Kishka Jensen Costume construction: Donna Phibbs & Rosie Boland Costume standby: Rosie Boland Cannibles mascot costume construction: Dann Barber & Harry Gill MUA – Claire Hunt

In Daniel Lombroso’s “Greywater,” a Queens resident discovers an alleged wildlife- poaching ring in his back yard. An investigation reveals a deeper crisis of environmental injustice.

Official music video for “Home” by CHS. https://bit.ly/3mFZubf – – – – – – – – – – – – – – – – – – – – – CHS의 음악은 언제나 어딘가를 향해있다. 그들의 음악을 들을 때면, 때론 땡볕이 내리쬐는 드넓은 백사장이었다가, 때론 발리의 오래된 뒷골목이 된다. 지금 우리가 존재하는 이곳이 아닌 그 어딘가로 떠나는 여정이, 영화 같은 서사와 함께 펼쳐진다. 여름의 뜨거움과 푸른 바다의 시원함. 긴 겨울과 찰나 같은 봄을 지나, 오랜 기다림 끝에 만나는 눈부신 날들. 껍데기를 모두 벗어던지고 온전히 나를 드러낼 수 있는, 그런 바다. 그들이 연주하는 그 계절의 바다는 마치 오랫동안 꿈꾸고 그리워했던 유토피아인 듯하다. [꿈에 그리던 ‘이상향’을 향해 돌아가는 여정] 그렇게 치열하게 ‘여름’을, ‘바다’를 부르짖던 그들이 불현듯 ‘HOME’을 노래하는 것은 왜일까? 떠나온 이들에게 있어 ‘고향’은 언제나 특별한 감정들을 선사한다. 오랜 시간이 지나도, 그 낯선 도시는 여전히 익숙한 공기와 바람, 그리고 이제는 흐릿해진 기억들로 가득하다. 반겨주는 이 없는 그곳이 현실을 뒤로한 채 언젠가 돌아가고픈. 한 번도 만난 적 없는 ‘이상향’의 기억으로 존재하는 것이다. 그런 의미에서 CHS에게 ‘HOME’은 곧 ‘여름’, 그리고 ‘바다’이다. 그들이 음악과 함게 향하던 그 ‘유토피아’가 바로 우리가 돌아가고픈 ‘고향’인 것이다. 그곳은 한 번도 가본적 없지만 우리 모두의 기억 속에 존재하고, 그곳엔 한 번도 만나지 못했던 그 누군가가 우리를 기다리고 있다. 그렇게 그들은 지나간 ‘여름’에 따뜻한 작별의 인사를 건네고 다시 만날 ‘바다’에 즐거운 재회의 인사를 전한다. “Summer, we go Home” – – – – – – – – – – – – – – – – – – – CHS’s music always goes somewhere. When we listen to their music, Sometimes it is a wide sandy beach with the scorching sun, but sometimes it becomes an old street in Bali. not where we are now. The journey to somewhere is shown with a cinematic narrative. The heat of summer and the coolness of the blue sea. After a long winter and a fleeting spring, dazzling days meet after a long wait. A sea like that where you can throw off all your shells and fully expose yourself. The sea they play in that season seems to be the utopia they have long dreamed of and longed for. [The Journey Back to the ‘Utopia’] Why are they suddenly singing ‘HOME’, who were chanting ‘summer’ and ‘sea’ so fiercely? For those who have left, ‘hometown’ always presents special emotions. Even after a long time, that strange city It is still full of familiar air and wind, and memories that have now faded. A place where no one welcomes you We want to leave reality behind and go back someday… It exists as a memory of a ‘utopia’ that has never been met. In that sense, for CHS, ‘HOME’ is ‘the summer’ and ‘the sea’. The ‘utopia’ they went to with their music is the ‘hometown’ we want to return to. We’ve never been there, but it’s there in our memories, There is someone waiting for us that we have never met. So they said a warm goodbye to the past ‘summer’ Sending greetings from a pleasant reunion to the ‘sea’, where we will meet again. “Summer, we go Home” – – – – – – – – – – – – – – – – – – – – – Costume and Styling by 박현나 Directed and animated by Unlimited Time Only. unlimitedtimeonly.com

Walgreens Defense Force Directed by Alan Resnick Produced by James Trevor Edited by Harrison Fishman SFX by Eris Deo VFX by Cole Kush, Dan Streit and Alan Resnick Music by Mikal Cronin Sound Design by Brent Busby Staring Annie Donley, Robby Ratclif and Alan Resnick

Please visit https://bit.ly/3tblSwC to make a donation to support the film and ongoing impact efforts. This film documents the journey of Barbie Carter (aka: Gangster Granni) as she comes to terms with her identity and navigates the road ahead after living on the streets of Skid Row for the past 10 years. The film illuminates the intimate humanity behind homelessness in an effort to replace judgement with empathy and demystify the homeless and housing crisis experienced across the US. Join us in our effort to support Granni and others in her situation by visiting the website. https://bit.ly/3zayEiY Director – Lindsey Hagen DP/Editor – Chris Naum Executive Producer – Dan Riordan, Dana Saint & Lindsey Hagen Head of Production – Aaron Schurman Producer/Photographer – Lauren Todd Story Producer – Amelia Rayno Art Department – Christian Carvallo Sound – Darren Bell & Tracy Townsend Title Design – Jordan Ingram Score/Mix – Jared Blizzard Color – Jensen Vinca Poster Art – Caitlin McCann Special Thanks:   Los Angeles Times Short Docs – Nani Walker & Leslie Lindsey Barbie Carter Rene Hunter Évangeline Cromwell Pastor Blue Urban Saddles Beacon House Thrift Vault Rentals

UKMVA and Berlin MVA Nominated music video for Welshy’s track All for You Boy – Thomas Gray Girl – Cecelia Crossland Bus Conductor – Rowland D. Hill Directed by Arthur Studholme Cinematography – Aidan Bryan Production Design – Ellen Pearson Producer – Conor Duffy Production Manager – Jack Stacey 1st AD – Charlotte Miller 1st AC – Mike Simpson 2nd AC – Kieran Poytner Art Assistant – Sylke Van De Heiden Art Assistant – Kathryn Maguire Edit – Arthur Studholme & Cosmo Wellings Colour – Katie Dymmock VFX – Arthur Studholme & Katarina Duvnjak 2nd AD – Andy Pereira Wardrobe – Misty Joy Ingham HMU – Holly Spencer Door – Cosmo Wellings

One night, Reine, a young loner, sees within the urban chaos a mystical oneness that seems alive, like some sort of guide. 2D paper animation. Produced by Kazak Productions in Paris and Folimage in Valence, France. 2020. “Genius Loci” is this week’s Staff Pick Premiere! Read more about it here: https://bit.ly/3m9v00Q

In Manhattan’s Chinatown, 66-year-old single Yokelan goes to dance class in search of love again. This short film is made possible with the support of Voguefilm.

After being estranged from his family, we observe a young man over four seasons and from far away as he navigates his solitude – all the while attempting to reconnect with his mother. Documentary Short – Québec – 2020 – 18 min Color | French, English and Arabic with English subtitles | 1.66  30+ Festivals including: Slamdance, 2021 Palm Springs, 2021 RIDM, 2020 | Best Short Documentary Competition energaCamerimage, 2021| Best Short Documentary Competition Indy Shorts International Film Festival, 2021 Inside Out Toronto LGBT Film Festival, 2021 Flickers’ Rhode Island International Film Festival, 2021 FARAWAY – LOINTAIN Director: Aziz Zoromba Producers: Aziz Zoromba, Carol Nguyen Cinematographer: Max Machado Sound designer: Sacha Ratcliffe Editors: Ashley Gilmour, Aziz Zoromba PRODUCED WITH THE FINANCIAL SUPPORT OF:  Canada Arts Council, HotDocs Crosscurrent Doc Fund, Sundance Ignite Grant. CONTACT Distribution & International Sales: H264 | justine@h264distribution.com https://bit.ly/3M3jRtc Produced by Scarab Films: https://bit.ly/3lW6W1E Director: https://bit.ly/3GCQfl6