Clarity can often be found in the eyes of strangers ————– Sundance Film Festival – Honourable Mention in Short Filmmaking 2010 ————– STARRING: Alexander J Ford & Anna Vera Dudas CREW: Writer/Director/Editor: Ariel Kleiman Producers: Benjamin Gilovitz & Sarah Cyngler Director Of Photography: Edward Housden Production & Costume Designer: Sarah Cyngler Sound Designer: John Kassab
Animation by Max Litvinov http://bit.ly/1JDCsXi All sounds are made with Korg Monotron 2015
Directed by Austin Vesely (http://bit.ly/1CGq0zW) Written by Austin Vesely and Chancelor Bennett Cinematographer | Nathan Salter Steadicam Operator | Blaine Baker 1st Assistant Camera | Ian McAvoy 2nd Assistant Camera | Marion Tucker 1st Assistant Director | Angie Gaffney Line Producer | Angie Gaffney Production Designer | Amanda Brinton Art Director | Drew Bender Carpenter | Blake Paine Painter | OJ Hays Painter | Rae Reichlin Painter | Mary Mooney Painter | Chesney Gregorie Painter | Erika Hood Painter | Jennifer Herrig Painter | Lena Rush Lighting Design | Michael Apostolos 2nd Lighting Design | Scott Sheffield Lighting Assistant | Bob Zegler Choreography | Ian Eastwood Choreography | Dlow Footwork | Pause Eddie Footwork | Lil Bit Lead Dancer | Trevor Takemoto Lead Dancer | Monyett Lead Dancer | Ade Wardrobe | Megan Spatz Wardrobe | Kate Grube Make-Up and Hair | Sarah Lawless Dancers: Allen Washington Isaiah Sosho Renzell Roque Alexander de Guzman Kelley Bode Franz Luigi De Guzman Arianna Rozen Natiya Reggans Sebastian Rodriguez Andrew Phan Keenan Morales Felecia Hubbard Brittany Buena Jacob Ford Production Assistants: Danny Farber Trevor Hollis Claire Dobbs Zoe Lubeck Tyler Krawczyk Julia Hogikyan Molly Hickey
After being captivated by the poems of Henry Ponder – an little-known British poet who takes the time to ponder the beauty and absurdity of the everyday – Naresh Ramchandani has created a short film to celebrate Henry’s thoughtful perspective on life. Produced and directed by Chris Dada, DOP Oliver Schofield, titles by Harry Pearce and Alex Brown, art direction by Sasha Webster, editing by Bunuel Bounds, assistant director Ruaridh Webster, assistant camera Lami Okrekson, title animation by Steven Qua, music by Graeme Miller, sound design by Iain Grant, poems by Henry Ponder.
Now available on iTunes!
Show Me the Meaning of Being Lonely – The Neon Kingdom – EP
SHOW ME THE MEANING OF BEING LONELY A glamanimated space opera. The flamboyant KINGSHIP strikes again, with a fully animated video this time, directed by the brilliant Steven Mertens! In this exploration of lonely interstellar spaces, Tristan Crusade (Chris Hall) delivers a jacked up re-imagining of the Backstreet Boys 1999 classic hit. As his co-pilot, Memo Rex (Paul Leschen) accompanies our hero through danger with his epic melodies. Mixed/engineered by Paul Hager (Miley Cyrus, Katy Perry, Van Halen) and brother Josh Hager (DEVO), mastered by Howie Weinberg. Special thanks to The Warrior (Mike Maenza) on drums, Druce Mortal (Drew Mortali) on bass and Presto The Wizard (Eric Presti) on guitar.
Insula orchestra s’associe à l’agence de création visuelle Superbien pour réaliser une œuvre vidéo abstraite et onirique intitulée Orpheo’s Mind, sur un extrait d’Orfeo ed Euridice de Gluck, l’aria « Che puro Ciel ». Cet air, une des plus belles pages d’Orfeo ed Euridice, est interprété par le célèbre contre-ténor Franco Fagioli et Insula orchestra sous la direction de Laurence Equilbey. Le travail d’Insula orchestra et de Superbien donne à cette oeuvre une double dimension : audio et visuelle. Le spectateur est transporté par cette poésie hypnotique célébrant la beauté et exprimant l’espace, la fuite du temps et le tumulte des émotions vécues par Orphée lors de sa traversée des enfers. Le nuage suspendu au centre de ce poème audiovisuel incarne l’illumination spirituelle et l’ascension de l’esprit. La vidéo projetée sur ce nuage ainsi que la lumière diffusée en son sein y sont travaillées en tant que matières. La lumière ne vit qu’à travers le prisme du nuage dont la structure se compose de deux matériaux complémentaires : le plexiglass transparent et angulaire contrastant avec le tulle vaporeux et plus opaque. À cela s’ajoute une projection vidéo ambiante renforçant l’immersion du spectateur dans l’esprit d’Orphée. L’alliance de l’esthétisme pur de la sculpture et de la beauté de l’aria de Gluck affirme la modernité de l’ensemble tout en soutenant la poésie de l’œuvre musicale. Artiste : Insula orchestra Contre-ténor : Franco Fagioli Hautbois : Jean-Marc Philippe Direction Musicale : Laurence Equilbey Musique : « Che Puro Ciel » (live recording, Deutsche Grammophon 2015) Orfeo ed Euridice, Gluck Concept, Direction Artistique & Mise en Oeuvre : Superbien Co-Réalisation : Edouard Granero Étalonnage : Antoine Ravache @Rouchon Paris Studio & Capture Vidéo : Rouchon Paris
A little light rises from the deep sea. Pictures : Clément Morin Music : Etienne Forget Sound Design : Hugo Thouin Some still frames here: http://on.be.net/1DQpsyw © 2015 – http://bit.ly/1D3FMse http://on.fb.me/1DQpsyz
“Calling yourself an artist is so pretentious. I prefer to say I’m a poet, whose primary medium of expression is crime.” – Stick http://bit.ly/1DPEIf2
Tour through a collection of the sculpturally surreal and visually paradoxical – portals of infinite time, limbless girls, and gravity-defying windswept lip-sync. “eerie head-fuckery” – musicfeeds.com.au | “dreamy pop wonder” – pagesdigital.com | “freaky-cool” – tonedeaf.com.au | “a tonne of fun” – themusic.com.au Music video for WHITE SHADOWS, this marks the first outing for the new collaboration from Craig Nicholls (THE VINES, Nick Littlemore (EMPIRE OF THE SUN, PNAU) and Sam Littlemore (SAM LA MORE). “An ethereal journey through the brain of everyone ever… The video highlights an internal battle, and the end result is a beautiful collection of mystical, sculptural imagery that will awaken those voices in your head that keep telling you that you need a change.” – www.pedestrian.tv – http://bit.ly/1OfClUj | www.infinity2.com.au – Directed by MELVIN J. MONTALBAN + DULAN DUCLOS Produced by MORGAN TAYLOR at INIFINITY SQUARED Director of Photography TANIA LAMBERT Production Designer RUBY CHALLENGER Costumes PHOENIX KEATING Hair + Make-up ESSTUDIO GALLERIA Casting SIX WOLVES Visual Effects Supervisor MATT CAMPBELL Additional Visual Effects MATT SCHEMBRI + RESOLUTION DESIGN Colourist MATT FEZZ Motion Control Rig Operator ERAN DOLEV Gaffer MOSES FOTOFILLI Grip DAVID LITCHFIELD Best Boy AARON ASHWOOD Art Dept Assistant TIM NATHAN Production Assistants AMY JARMAN + LEILA MAKTARI FEATURING The Crawler NADIA VITLIN Glitching Dancer DUBS YUNUPINGU Gummo Kid MATTHEW GODE Head + Wind DYLAN DUCLOS Woman + Storm KRISTINA SRZICH Twinz MEG FAIRBAIRN + CAYENNE BARNUM
This project represents the motion of energy, rebirth of the Santral Energy Museum by 3D Video Mapping Techniques. Producer : Hipo Project Management : Gökhan Okuyucu Concept Development & Creative Direction : Burcu Ece Yılmaz & Gökhan Okuyucu Direction and Animation : Ouchhh Director: Ferdi Alıcı Lead 3D Artist: Bahadır Dağdelen Designer and Animators: Ali Say, Bahadır Dağdelen, Eylül Duranağac, Ferdi Alıcı Sound Designer: Ali Can Okan 3D Modelling : Saygın Şoher & Sarper Şoher Technical Design : Kaan Kartal & Saygın Şoher Technical Support : Visions Render Farm : RenderRider 3D Laser Scan : SolvoTek Mühendislik Project Coordinator : Burçak Hırka (Hipo) Documentation: Cansu Turan, Emre Kardeşseven Documentation Music: PanPiper (Mehmet Unal) Client: Palmet Enerji & İstanbul Bilgi University Organization: Delano Event: ICEM International Conference on Energy and Management Place: santralistanbul Energy Museum santralistanbul Museum of Energy The Silahtarağa Power Plant’s first two engine rooms, built in 1913 and 1921 respectively, were reinforced and converted into the santralistanbul Museum of Energy, retaining as many original elements as possible. The first step in the power plant’s conversion to Museum of Energy was to halt the corrosion of the turbine generators and other machinery which had set in as a result of disuse since the plant’s decommissioning in 1983. Teams of experts moved in to clean up the machinery and apply a protective anti-corrosion sealant. Thereafter, the number one turbine generator group was restored to its original appearance of 1931. Meanwhile, the number three turbine generator group, which had been dismantled when production stopped at the plant, was preserved exactly as left. In the Museum of Energy’s number one and two Engine Rooms, visitors currently have the chance to see the AEG, Brown Boveri, Siemens and Thomson Houston made turbine generator groups. These were the key components of electricity generation at the Silahtarağa Power Plant and reflect the advanced technology of the age. http://bit.ly/1ab0uMp