Written & Directed by TO GUYS Produced by K48 – TO GUYS Cinematographer: LUCA COSTANTINI Editing & Color: TO GUYS Music & Sound design: MATTEO DE MARINIS Voice off: ROB RICOTTA Synopsis: EMILIANO S. VERGA Set design assistant: GIACOMO PANCALDI Starring: CRISTOPHE BOUQUIN, SHARI MONTAGNANA, FABIO SCHILINGI Special Thanks: ANDREA BUFALO, CLOTILDE DECROCQ, EDOARDO TALONI, ISTITUTO ZACCARIA. Collaboration: H57, CORTOLOGY
‘It’s easy to be a clever smart boy like me’ Created & Directed by Becky Sloan & Joseph Pelling A Blink Industries Production Executive Producers Becky Sloan Joseph Pelling James Stevenson Bretton Thomas “Tomska” Ridgewell Producers Hugo Donkin Ben Lole Written by Becky Sloan Joseph Pelling Baker Terry Voices Of Cartoons Baker Terry Royngdt Joseph Pelling Music & Sound Joseph Pelling DoP Edward Tucker Camera Assistant Thomas Bolwell Gaffer Max Halstead Electrician Junior Agyeman Owusu Art Director Becky Sloan Joseph Pelling Art Department Becky Sloan Antonia Trister Rose Popham Stephanie Unger Jack Needell Jen Newman Richard Henley Katie Millner Becky Weston CGI Animation Director Theo Nunn CGI Design Jack Sachs CGI Animation Joseph Pelling Gustaf Georg Lindström Ben Wheele Runner Sam Davis Emotional Projections Charlie Pelling Special thanks: Clapham Road Studios Orb Studios Focus 24 Mother London Spitalfields City Farm Daniel Haddock Margaux Soland Bart Yates Tom Stuart Leonie Ellis Christine Hooper All the Kickstarter Backers & Roy For our dear friend Julie Crosbie
Sally and Jack, a young couple in the city, discover a strange phenomenon in their backyard that duplicates organic life. Sally quickly envisions its wild possibilities, while Jack suffers its consequences. TORONTO INTERNATIONAL FILM FESTIVAL 2014 VANCOUVER INTERNATIONAL FILM FESTIVAL 2014 RAINDANCE FILM FESTIVAL 2014 CINEQUEST 2015 ATLANTA FILM FESTIVAL 2015 GASPARILLA INTERNATIONAL FILM FESTIVAL 2015 Produced with a grant awarded by bravoFACT (Foundation to Assist Canadian Talent) A Division of Bell Media Inc. www.bravofact.com
Thesis film made with Adam Campbell and Elizabeth McMahill. http://on.fb.me/1BRPt9D
George Ziermann has been making custom measured, hand made shoes for 40 years. He’s looking to get out, but can’t find anyone to get in.
If you want to make video essays, there’s no better film to study than Orson Welles’ 1973 masterpiece, F for Fake. There are a million lessons to take away from it, but today, let’s see what it has to teach us about structure. NO SPOILERS. For educational purposes only. You can donate to support the channel at Patreon: http://bit.ly/1NCkvc6 And follow me here: Twitter: http://bit.ly/1EGwc1T Facebook: http://on.fb.me/1NCkuok Music: Duke Ellington, Charles Mingus & Max Roach – Very Special Michel Legrand – F for Fake (Cinéma) A Tribe Called Quest – Oh My God (Instrumental) Michel Legrand – Orson’s Theme (After the Rain Version) A Tribe Called Quest – Oh My God Interview Clips: Trey Parker & Matt Stone at NYU: http://nyti.ms/1bNx6xf John Sturges’ legendary audio commentary: http://bit.ly/1C2Jq1J
It’s 1972 during the famous football game between the Steelers and Raiders. Can Joey, a shy 16 year old, win over the girl of his dreams? The second film in The Pittsburgh Trilogy. Watch the first of the trilogy, “Rachel is” on Vimeo OnDemand: http://bit.ly/1InyBwa http://bit.ly/1InyyR3 www.jacktarfilms.com Writer/Director: Charlotte Glynn Producers: Berkley Brady, Luke Spears Co-Producers: Bailey Donovan, Alvaro R. Valente Cast: Deema Aitken, Jess Paul Cinematographer: Greta Zozula Editor: Nicholas Biagetti Production Designer: Kellan Andersen Costume Designer: Barbie Pastorik Sound Design: Larry Zipf
Pacer looked at the world in a way no film had before it. The geometry of the city and its construction, the artistry of Montreal’s landscape seen the hyper-prism of a camera racing through time on different dimension. Compressed imagery and physical motion combine in a never-been-seen-before kind of way. Pacer can lay claim to being the first hyperlapse film, or at the very least, to being the precursor to it’s development. It was shot on a Bolex 16mm camera in Montreal, Quebec in 1995. Shooting single frames, all the ‘effects’ are done in camera. The film’s original negative was destroyed in it’s one and only printing in 1995. That print was screened once and telecined for posterity, and the print was never projected again. The film would’ve fallen into obscurity, except for the low rez video version that was included in a VHS video magazine called Channel Zero in 1996. Other visual artists like TopherZ of the Dandelion Collective who saw that Channel Zero and began to pick up the technique, and with Guy Roland’s subsequent film, Spacer, in 2004 (later known as Kino Citius), the technique of hyperlapse took shape. The only print of the film was carefully transferred to 2K digital in 2014 and painstakingly remastered in early 2015, resulting in the version you see here.
Flattrack is a short, oblique documentary about the DTRA… …A dedicated and diverse group of people that choose to spend their spare time and money racing motorbikes on small, circular dirt tracks – endlessly searching for the perfect corner. Why they do it? How does it feel? What’s the point? Shot on 16mm Bolex and Red Epic with Canon K35 lenses. Directed and Edited by Joe Marcantonio Produced by Death Spray Custom and Dial M Films Camera by Andrew Lawrence and Joe Marcantonio Sound by Neil Johnston and Tom Joyce at Factory Grade by Pat Wintersgill Titles by Leo Marcantonio
OUT NOW: Fedde Le Grand and Jewelz & Sparks – Robotic Beatport: http://bit.ly/1xUrhIp http://bit.ly/flg-js-robotic-yt In a nondescript lab an enigneer is working on a self-learning modular robot. The modular parts come to life and finally reconfigure into one big robot which does what all evil robots do… This is the extended version of the official music video. A track that has served as intro to many of Fedde Le Grand’s monstrous live sets, including his UMF 2014 set http://bit.ly/flg-ultra2014 which showcased a lot of Fedde’s new music, got circulating online as one of the most highly anticipated releases to date…and is now sparking fan excitement all over as it’s being geared up for official release on March 16th, we’re talking about Robotic! A collaboration with Jewelz & Sparks to naturally follow Fedde’s excitement about the boys’ sound and development as producers as regularly featuring their stuff in his live sets and off course having brought Dope forth on his Flamingo Recordings. This release though will have the honor of serving as third release on the brandnew Darklight Recordings imprint. To accompany it, Fedde has enlisted digital filmmakers Job, Joris and Marieke much famed for their Oscar nominated short film ‘A Single Life’ http://bit.ly/jjm-oscar. At just over 3 minutes, the trio demonstrate every ounce of their creative prowess at digital graphics. Check it now!