Videos

Kinabuhi is a story about Filipino Coconut Farmers struggling to survive a Way-of-Life exploited by industrial agriculture and crippled by disasters like Typhoon Haiyan. http://bit.ly/1RJMhe5

羽田空港とその周辺からのタイムラプスです。城南島では強風のためブレないかとヒヤヒヤしながらの撮影でした。 my blog : http://bit.ly/1fYem0r camera : Panasonic GH4 lens : OLYMPUS M.ZUIKO DIGITAL ED 9-18mm F4.0-5.6 camera : SONY a7S lens : SONY FE 16-35mm F4 ZA OSS lens : Nikon Ai AF Zoom-Nikkor 24-85mm f/2.8-4D IF mount adapter : ARAX TILT adapter for use Nikon lenses on Sony NEX camera : SONY RX100M3 music : Summer Colour by I Am Robot and Proud color grading : VisionColor　ImpulZ(http://bit.ly/1Dqhk2B) Rec709_Kodak Vis3 50D 5203 (DP)_FC

A man with a typewriter-head tries to get rid of his out-of-control thoughts. Blog Making off: http://bit.ly/1MBBRX8 Website: http://bit.ly/1gIbipf

On the eve of a storm in rural Newfoundland, feuding fishermen are forced to set their conflicts aside when an emergency arises. Written & Directed by Justin Oakey (http://bit.ly/1LtSk14) Produced by James Vandewater, Justin Oakey (http://bit.ly/1JoXd6W) Director of Photography – James Klopko (http://bit.ly/1LtSk15) Production Design – Amanda Row (http://bit.ly/1JoXd6Z) Picture Editor – Michael Pierro (http://bit.ly/1LtShST) Original Score – Bryan W Bray (http://bit.ly/1JoXcA1) World Premiere – Atlantic Film Festival, CBC Shorts Gala Official Selection – Fastnet Short Film Festival, Yorkton Film Festival, Nickel Independent Film Festival, Halifax Independent Filmmakers Festival, Niagara Integrated Film Festival (Canada’s Not Short On Talent), Revelation Perth International Film Festival, Durban International Film Festival, Gimli Film Festival, Shetland Arts’ Screenplay, Edmonton International Film Festival Winner – People’s Choice Award – Nickel Independent Film Festival 2015 Nominated – Best Drama & Best Director, Fiction – Golden Sheaf Awards 2015 Nominated – Best Drama – Fastnet Short Film Festival 2015 http://on.fb.me/1LtShSV http://imdb.to/1JoXcA3

Years into a historic drought, Western states like California are wrestling with an inconvenient truth: there’s likely even less water than people think. Animation by Jöns Mellgren and Anna Mantzaris for “Killing the Colorado,” a collaboration between ProPublica and Matter, a new publication on Medium.

Official music video for The Helio Sequence “Battle Lines” out on Sub Pop Records. Edited, Filmed, Colored by Robin Washburn Animation by Emanuele Kabu Lighting by Pavlina Summers Special thanks to Cinco Design http://bit.ly/1OklzmH http://bit.ly/1DQUT5x 2015

Eric Garner’s death in 2014 at the hands of the NYPD helped spark a nationwide movement for police reform. One year later, his family has settled a wrongful death lawsuit with New York City, but they aren’t satisfied that justice has been served. Credits: Director / Producer – Fazeelat Aslam Producer – Jimmy Goldblum Cinematographer – Naveen Chaubal Editor – Adam Weber AJ+ Senior Commissioning Producer – Jeff Seelbach

If you grew up watching Looney Tunes, then you know Chuck Jones, one of all-time masters of visual comedy. Normally I would talk about his ingenious framing and timing, but not today. Instead, I’d like to explore the evolution of his sensibilities as an artist. To see the names of the films, press the CC button and select “Movie Titles.” This video also had a wonderful animation consultant: Taylor Ramos (http://bit.ly/1TGWvJz) For educational purposes only. You can donate to support the channel at Patreon: http://bit.ly/1NCkvc6 And follow me here: Twitter: https://twitter.com/tonyszhou Facebook: http://on.fb.me/1NCkuok Music: Raymond Scott – “Powerhouse,“ "Minuet in Jazz,” “Twilight in Turkey,” “The Toy Trumpet” Carl Stalling – “Scentimental Romeo,” “Guided Muscle,” "Feline Frame-Up,” “Rabbit Seasoning,” “Duck! Rabbit, Duck!” Milt Franklyn – “One Froggy Evening,” “Robin Hood Daffy,” “What’s Opera, Doc?” Interview Clips (from Looney Tunes Platinum Collection Vol 1): Chuck Jones Interview: EmmyTVLegends.org (http://bit.ly/1J2ZXuW) Chuck Jones: Extremes & In-Betweens (http://bit.ly/1SpUb7i) A Chuck Jones Tutorial: Tricks of the Cartoon Trade (http://bit.ly/1HxxRG5) It Hopped One Night: A Look at “One Froggy Evening” (http://bit.ly/1RC3plV) Recommended Reading: 9 Rules of the Coyote and the Road Runner (http://bit.ly/1LdfN8d) Chuck Amuck: The Life and Times of an Animated Cartoonist (http://bit.ly/1MeXuQ2) The Noble Approach: Maurice Noble and the Zen of Animation Design (http://bit.ly/1TGWvJA)

Horizon as a limit to a known world, a point of no return where knowledge ends and an unknown world begins. The horizion with time abandons that mysterious aura of “place” beyond which provokes death. Now this carries positive meaning that thanks to knowledge makes that border (between the sky and earth), a vision towards a new future. Thanks to the horizon that continuously embraces us, we have purpose, a creative place to constantly exceed. As an everlasting challenge, the horizon line is always ready to remind us about our limits, pushing us in every endeavour, joining possibilities. Everything depends on the point of view, and how we look at this immense line. The horizion as a point of arrival, Horizion as a starting point. Horizon is a reconsideration of the concept of the horizion through an array of 1500 panoramic photographs, a video thought of as a infinite trace that encloses Sicily in a photographic itinerary at full speed, allowing the eye of the public to perceive a unique, infinite horizion. In Horizon two concepts of horizions are established: in the real horizon we see the tangible and limited view, which is overlapped by the imaginary one, a source of innovation and discovery, overcoming limits. __________________________________________________________________________________________________________________ Orizzonte come limite al mondo conosciuto, punto di non ritorno in cui termina il sapere ed inizia un territorio sconosciuto. L’orizzonte con i secoli abbandona quell’aura misteriosa di “luogo” oltre il quale scorgersi provocava la morte, ora questo si carica di accezioni positive che, grazie al sapere, rendono quel confine ( tra cielo e terra), una visione propizia verso un futuro in arrivo. Grazie al “circolo massimo” che ininterrottamente ci abbraccia, noi abbiamo un traguardo, un luogo immaginifico da superare costantemente. Come una sfida imperitura, la linea d’orizzonte è sempre pronta a ricordarci i nostri limiti, a spingerci in ogni impresa come un aggregatore di possibilità. Tutto dipende dal punto di vista, nel modo con cui noi ci poniamo di fronte a questa immensa linea. Orizzonte come punto d’arrivo, orizzonte come punto da cui partire. Horizon è una rivisitazione del concetto di orizzonte attraverso una carrellata fotografica di 1500 immagini panoramiche, un video pensato come un tracciato infinito che avvolge la Sicilia in un percorso fotografico a tutta velocità, lasciando percepire all’occhio dello spettatore un unico, infinito orizzonte. In Horizon si fondono due concetti di orizzonte: a quello reale che mostra una visione tangibile e limitata della realtà, si sovrappone un orizzonte fantastico, fonte di innovazione, di scoperta e di superamento dei limiti. Concept: Gianluca Scuderi Illustration: Cristiano Pezzati Animation: Gianluca Scuderi Music: Marcus Fischer (http://bit.ly/1HyEWpC) Sound Design: Gianluca Scuderi Photos: www.flickr.com

Music video 3’03 min – Technique : motion design / stop motion (8 500 photos) Details : 60 rocks from 15 different countries all around the world. The listing of all the rocks, with pictures, is available here : http://bit.ly/1Jlevlt Directed, filmed and produced by Christophe Thockler http://on.fb.me/1fNxtKt http://twitter.com/dabrainkilla Extract from the album Thousand Thursday, composed by Michna http://bit.ly/1fNxr5w Album available on Ghostly International www.ghostly.com/ In this video, I obviously wanted to work with the beautiful textures of the rocks and tried to add something dynamic and kinetic effects to enhance the sequences. That’s why a large amount of shots are done mixing stop motion and motion design. Solid Gold is another exploration of a theme I am fond of, the search of the beauty in the mundane. I like to think about the idea that the casting of this video is made of ancient majestic characters from all around the world, it’s also a tribute to nature, with small bits of our planet dancing together during three minutes.