In this hand drawn animation a line is being extrapolated through a grid. When the line surpasses the boundaries of the grid, the process spreads to and reflects on its surroundings. Beyond each boundary the extrapolation of movement is causing deformation in a systematic but speculative way. This work was created with support from ”Animation Artist in Residence Tokyo 2016” part of the Agency for Cultural Affairs, Government of Japan (Bunka-cho) ”Project to invite overseas creators of media arts 2016” and the Mondriaan Fund. More info: http://bit.ly/2ow6H0d
Videos
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Based on Tig’s true story, desperate for a brighter mood, she enlists the services of a traveling party clown. Directed by Tig Notaro Written by Tig Notaro and Melissa Blake Produced by Rosie Kaller Starring Tig Notaro, Nathan Barnatt, Stephanie Allynne, Angela Trimbur, Erinn Hayes, David Harris Cinematography by Adam Bricker Production Design by Caitlin Williams Edited by Alexis Brodey Music by Jonathan Dinerstein Assistant Director Shane Speigel Post Sound Mixing – Derek Vander Horst Colorist – Ivan Miller 2nd Unit Director of Photography – Elie Smolkin Production Coordinator – Kim Cooper Key Grip – Tyler Winegar Gaffer – Dustin Gardner Swing Grip and Electric – Dale Prius 1st AC – Cate Smierciak 2nd AC – Jen O’Leary On Set Sound Mixer – Kayla Croft Assistant Editor – Yesel Manrique Script Supervisor – Alexandria Sanders Hair and Make Up – Stephanie Daniel Set PAs – Ellie McElvain, Jessie Hixenbaugh, Andrea Lewis Art PAs – Jonathan Brock, Grace Hendley, Ian Lapidus, Tyler Singland Ballooner – Daniel Siegel Score by Jonathan Dinerstein Violin performed by Rebecca Ward “LAUGH IT UP” performed by RICHARD SWIFT Courtesy of JAGJAGUWAR By Arrangement with Bank Robber Music “HOW CAN YOU REALLY” performed by FOXYGEN Courtesy of Secretly Canadian By Arrangement with Bank Robber Music “SAD CLOWN” performed by KATE MICUCCI
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A Film by: Method Design Directed by: Ivan Girard Creative Director: Jon Noorlander CG Supervisor: Ivan Guerrero Executive Producer: Angela Lupo Producers: Emily Schaeberle, Adrienne Mitchell, Heather Saunders Coordinator: Elias Bermudez CG Lead: Sari Rodrig Animators: Matt Hackett, Will Robinson, Sean Curran, Carlos Sandoval, Paul Wei, Sam Crees Rigging: Ohan Bracha, Frank Naranjo Modelers: Brian Di Noto, Orges Kokoshari, Piotr Glabinski, Ohad Bracha Lighters: Claire Yawen Chang, Hubert Wozniak, Kevin Lu, Michael Marsek, Eric Xi FX Lead: Tomas Slancik FX Artists: Zach Lewis, Jeongyeon Son, Vraja Parra Compositing Lead: Robert Nick Dauphinais Compositing: Dave Chen, Urpsh Otashevich Motion Poems: Executive Producers: Todd Boss, Egg Creative, Lisa Effuses “Monsters” by: Dorothea Lasky “Monsters” by Dorothea Lasky, from Awe. Copyright © 2007 by Dorothea Lasky. Reprinted by permission of Wave Books. Sound Recoded at: Digital Island Studios Voice over: Isabel Guerrero Original Score: Don Fierro & Emily Hope Price Sound Design: Don Fierro Cellist: Emily Hope Price http://bit.ly/2ob7v7h
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Lil Dicky Pillow Talking Music Video Created by Giant Propeller – http://bit.ly/2oAo8gH Written and Performed by Lil Dicky/Dave Burd “Pillow Talking” produced by Charlie Handsome and the Digital Rick Flair aka Digi Directed by Tony Yacenda http://bit.ly/2puZcV6 Starring Dave Burd, Taylor Misiak and Brain Director of Photography – Alan Gwizdowski Edited by Brian Vannucci Production Design – Cody Fusina Production and Visual Effects by Giant Propeller http://bit.ly/2oAG5LV Executive Produced by Jordan Freda and Mike Bodkin Produced by Tom Quinn VFX and Post Producer – Oscar Velasquez VFX Supervisor – Marek Jezo First AD – Lyon Reese Script Supervisor – Sara Geralds Cast Lil Dicky – Dave Burd Girl – Taylor Misiak Brain – Brain God – John C Reilly Soldiers – Owen Rousu, Derek Pratt, Carlos Lopez, Isaac Lopez, Kiyano La’vin, Nick Coolidge, Sean Carrigan, PJ McCabe Crew Camera First Assistant – Erin Douglass Camera Second Assistant – Sarah Grenwald MOCO – Simon Wakely MOCO Assistant – Chris Toth DIT (Digital Imaging Technician) – Daniel Woiwode DIT Assistant – Alessia Assissi Art Director – Taylor Frost Set Dresser – Tao Grasham Property Master – Taylor Wolf Gaffer – David Cronin Key Grip – Kevin Keirstead Best Boy Grip – Vassily Grip PA – Jason Kierstead Wardrobe Stylist – Kassey Rich Hair and Make Up Artist – Liza Lash BTS Photographer – Yulia Shcherbinina Office Production Assistant – Eric Cepeda Set Production Assistants – Lars Slind, Alexxa Slind, Vickram Bhoyrul Board Operator – Phil Gailer Playback – Bob Tiwana Choreographer – Ian Eastwood https://www.youtube.com/user/DJIcon Casting by Kerry Baker Catering by Diane Timmons Animal Trainers – Barbara Edrington, Chris Edrington, Heather Long Second Unit First Assistant Director – Boma Pennebaker Second Assistant Director – Colin Weinburg Director of Photography – Steeven Petitteville Camera First Assistant – Melissa Spom DIT (Digital Imaging Technician) – Joe Hedge Art Director – Joel Sappington Gaffer – Ace Underhill Key Grip – David Nunez Best Boy Electric – Ian Crawley Dolly Grip – Mikey Gilmore Armorer – Logan Freda Wardrobe Stylist – Heather Flores Hair and Make Up Artist – Kseniya Durst Still Photographer – Morgan Schmidt VFX Supervisor – Marek Jezo Production Coordinator – Rachael Campbell CG Lead – Lubomir Timko Lead Compositor – Adam Dusa Compositor – Oliver Popellar Matchmove and Roto Artist – Lhbomir Jezo 2D Artist – Rober Hruska 3D Artist – Raphaela Klein Concept Artist – Byzwa Dher FX Artist – Ondrej Polacek, Mikas Saduskas 3D Artist – Rober Spicuk, Tomas Krizan, Dominik Liscak, Oliver Otruba, Martin Kaperak, Lukas Jankovcin, Rudo Herstek, Erik Mascak Animator – Tomas Danay, Andrea Jacevicova, Adam Sadion, Vladimir Krajniak, Lukas Figel, Marian Villaris, Standa Sekela Animation – Samuel Puchovsky, Martin Durmik Storyboard Artists – Mishi McCaig, David Green Pre-Vis Artists – Vlad Streitsov, Omrah Menkes Post Production Company – Giant Propellor Colorist – Sebastian Perez-Burchard Post Producer – Oscar Valezquez Audio Post Services – Voodoo Highway Sound Designer – Davis Brian Kelly Re-Recording Mixer – Richard Segal Thank you to MeUndies http://bit.ly/2pvehG1
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CASSINI’S GRAND FINALE is a short film I had the great honor to produce for NASA’s Jet Propulsion Laboratory (JPL) about the spectacular ending of the Cassini/Huygens mission to Saturn. It is meant as an inspirational and informative piece about what happens in the last months of the mission, and as a celebration of all that this historic spacecraft has achieved. Here is an article from JPL on the production of the film: https://go.nasa.gov/2o6Iv17 For the official JPL release of the film, please turn here: https://go.nasa.gov/2p6Pag5 or go directly to the official JPL YouTube video here: https://youtu.be/xrGAQCq9BMU For the official NASA release, please turn here: https://go.nasa.gov/2o6V6Bw NASA’s Cassini spacecraft (launched in 1997) has been in orbit around Saturn since 2004 exploring the giant planet, its spectacular system of rings and moons. Cassini was also carrying with it the European Huygens Probe which was dispatched after arrival and successfully landed on the moon Titan, becoming the first human made craft to land on a surface in the outer solar system. In 2017 – after more than a decade of bringing home remarkably successful scientific achievements, discoveries and a treasury of gorgeous photos – the spacecraft is running out of fuel to maneuver. In order to protect the moons Enceladus and Titan, and their potentially life-bearing sub surface oceans, from possible contamination in the unlikely event of a future collision, it has been decided to take Cassini permanently out of service. This is done by crashing the spacecraft into the atmosphere of Saturn – but not without doing some amazing science on the way. 22 times, Cassini dives through previously unexplored gap between Saturn and its rings, collecting new data on the mass of the rings (used to help determine their age), measurements of Saturn’s gravity and magnetic fields (used to help understanding its internal structure) and sending home stunning views of Saturn’s clouds and the rings – seen from a closer range than ever before. Even up until the very end, Cassini will bring home data, as it tastes the atmosphere of Saturn, just minutes before burning up and becoming part of the planet itself. It has been an unprecedented honor for me to get to do this film. Being a passionate enthusiast of planetary science, Cassini is the one mission – more than any other – to define my interest in the field, as I’ve had the pleasure to follow its success, from start to end, for a major part of my adult life. For more information about the Cassini mission and its Grand Finale, please turn here: https://go.nasa.gov/2p6W3hL CREDITS: DIRECTOR – Erik Wernquist PRODUCERS – Preston Dyches (JPL), Stephen Epstein (JPL) MUSIC – Cristian Sandquist WRITER – Preston Dyches (JPL) NARRATOR – Stephanie Czajkowski COLORIST – Caj Müller EDITOR – Micke Lindgren VISUALS COMPOSITING & PRODUCTION – Erik Wernquist CASSINI MODELING – Svante Segelson CASSINI SHADING, TEXTURES & DYNAMICS – Per Jonsson SATURN BACKGROUND PAINTINGS – Greg Martin TITLES – Mikael Hall ADDITIONAL TEXTURES & BACKGROUNS – Svante Segelson ADDITIONAL COMPOSITING & PARTICLES – Mikael Hall Thank you NASA, JPL, ESA and the entire Cassini/Huygens team for making such a wonderful, successful and inspiring mission. And especially; thank you Cassini, and farewell. The solar system will feel empty without you.
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Vimeo hires a struggling documentarian to document a festival he can’t get into. By John Wilson www.johnsmovies.com
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A candid portrait of three hedonistic queer performers living in New York http://bit.ly/2oXxxj9 STARRING: Jean Carlos Pinae Cesar Garcia Infinit Coles CREDITS : DIRECTOR : Sebastian Sdaigui PRODUCER: Alanna Harrington ASSOCIATE PRODUCER: Chelsea Donini ASSOCIATE PRODUCER: Carol Garlick ASSISTANT DIRECTOR: Toryn SeaBrooks DIRECTOR OF PHOTOGRAPHY: Geoffrey Taylor DIRECTOR OF PHOTOGRAPHY: Conor Murphy 1ST AC: Megaera Stephens 1ST AC: Sam Wolff EDITOR: Jordan Rosenbloom BOOM OP: Fernando “Frandy” Castillo SOUND DESIGN: Mihir Chitale COLORIST: Josh Bohoskey ANIMATION: Rebecca Shapass FONTS: William Cooper MUSIC: Princess Nokia “Tomboy” Death Grip “LSDXOXO” PRODUCTION : GOODFORNOTHINGFILMS NOWNESS 2017
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“Woza” (“Come” in Zulu) tells the story of an African surfer who has been taken as a lover by the African water spirit Mami Wata. It features 22 year-old Transkei surfer, Avuyile Ndamase. Client: Mami Wata Agency: Mami Wata in-house Creative Director & Art Director: Peet Pienaar Copywriters: Peet Pienaar, Nick Dutton, Andy Davis Production company: Pantera (Buenos Aires) Shot and directed by Pato Martinez & Francisco Canton Producer: Manu Aguer Music Composer / Sound Design: Vittorio Giampietro Color Grading: Oisin O’Driscoll @ The Mill (London) Underwater DOP: Calvin Thompson Talent: Avuyile Ndamase, Holly Armstrong Special thanks: Jaco Bouwer Samora Chapman Maximo Bustillo Stefan Naude Alex Morrison Linda (security) Featuring Music by BCUC (Soweto) “Asazani”
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Directed by Alex Courtès • Produced by DIVISION™ for Ed Banger Records • Post by Home Digital Pictures
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Official videoclip for the track Howler Monkey by Meier & Erdmann Released on the Moniker Eggplant Label (http://bit.ly/2omDfYR). Video created by Victor Doval (http://bit.ly/2ovWfpV). The video shows a landscape created synchronously with the music. The generation of the visuals is based on the sound spectrum. The diverse frequency bands have been used to algorithmically define the visual parameters such as geometries, materials and lightings. Through this sonic analysis and spectral decomposition each element and texture of the track has been visually processed. The whole sequence has been created in a procedural way where the definition of every part has been based on mathematical integrations. To manage all this data flow I worked with Processing and Blender. The Blender add-on Sverchok has been the cornerstone in the creation and transformation of the geometry. The initial idea came from the understanding of music as a temporal journey, a changing landscape that is perceived via the ears. The track Howler Monkey written and performed by Meier & Erdmann invites the listener to travel through the subjective/individual and the abstract. The harmonic evolution of the track is associated with a 24 hour time lapse experienced in 290 seconds. From sunrise to sunrise the video offers a dreamy trip that opens doors for contemplation and to emotions the track might evoke. Check Meier & Erdmann’s album – The ‘Howler Monkey’ LP: http://bit.ly/2omV6z4 Check my other procedural works and gif experiments: http://bit.ly/2ovXbe8 Check Meier & Erdmann on soundcloud: http://bit.ly/2omIMyH
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