A vast silence swallows the sound. A kingdom of mountains rise majestically toward the heavens. A call of the wild to a wandering soul. Directed, filmed & edited by Mathieu Le Lay www.mathieulelay.com http://bit.ly/1LMwlUu http://bit.ly/2pRBXbK Music by Franck Zaragoza – Ocoeur http://bit.ly/2p4m7Y7 Audio mix by Laurent Mollard – Gaïné Studio http://bit.ly/2pROOKM Words by Benjamin Dowie http://bit.ly/2p4rA12 http://bit.ly/2pRMT94 http://bit.ly/2p4pvCi © Mathieu Le Lay – 2017
Videos
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Gordon Hempton is on a personal quest to preserve silence in nature. The “sound-tracker” circles the globe recording vanishing sounds, including the most elusive one of all: silence. In 2005, Hempton resolved to find the quietest place in Washington’s Hoh rainforest, itself a haven of silence. According to Hempton, the area he found is precisely one square inch. But that little area of quiet—which holds incredible value for the Earth—is endangered. Now, Hempton is determined to protect it from noise pollution like overpassing jets, lest we lose one of our country’s last remaining silent places.
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A comedy of missing teeth, unrequited love and one dog’s potential to shape the fortunes of a couple destined never to be together. Writer / Director: Colin Kennedy Producer: Brian Coffey Cast: Camilla Rutherford, Colin Harris Sigma Filma / Scottish Screen / EM Media / Screen WM / Zentropa
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La Caverna is an in-house project. A 2d animation inspired by Plato’s “Allegory of the Cave” and surrealism; both a quest for the truth and the acceptance of the illusion we live in. CREDITS: Direction: Hello Savants! Animation and illustration: Hello Savants! Composition and sound design: Massimo Cervini – massimo.cervini@gmail.com Mastering: Umberto Ugoberti – pitchaudio.it
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Months of craft, ideas and styling have gone into our latest self-initiated project, developed and hand made at Trizz, the creative animation studio out of Barcelona known for its artful directing, design and animation on commercials. “Save Me” is a new music video that touches the soul and essence of a young boys inner creative battles and is scored with heart felt music (soon to be independently released out of Portland). The boy protagonist, Rafa, lives in the world of a sensitive, young country kid who is overloaded with imagination and confronted with the possibilities of self-expression and technology. Intentionally the core story is shaped with a naïve simplicity and hints at the places where inspiration evolves. “Save Me” started off as a 5 seconds test project. Trizz director and co-founder Oriol Puig was drawn to the musician’s song, called him up for a chat which ended up triggering a 4 minute original film to the music. The design concept of mixed media, with an emphasis on photo realistic rendering, was integral to deepening the story mood. Starting with the boy character Rafa, who was modelled and animated in 3d to look like an older technique of hand made claymation, our team then built the miniature house out of wood and mini tiles and lots of glue and nestled it all within a real forest – little plants from the local garden centre that provided the set for capturing real filmed backgrounds. With the 3d animation completed, our illustrator then drew and animated the 2d “interactive sky” effects and finally everything was rendered together and composed into the master film. Visually and musically, this story speaks of the creative process in all of us – and shows that sometimes during the discovery for implementing an idea, that there are waves of inspiration, frustration, anger and surprise. In the end there is a very positive outcome, scaling a personal edge we also learn something new about ourselves. CREDITS Music by: Fernando Viciconte Track: Save Me Original Idea / Script: Trizz Director: Oriol Puig and the Trizz team Executive Producer: Chris Vulpi 3D Supervisor: Oriol Mayolas Animation Director: Hugo García 2D design and animation: Javier Vaquero Art Direction: Oriol Puig / Oriol Mayolas Set Design: Albert García Vila Set Construction: Albert García Vila / Laura Ibañez Animators: Hugo García / David Llopis Modeling: Oriol Mayolas Modeling ( hair ): Kepa Casado Additional Modeling: Ariadna Ollé / Luis Guzmán Compositing: Oriol Puig Rigging: Joan Buhigas Cloth Animation: Joan Buhigas / Ariadna Ollé Additional 2D animation: Bojan Pantelic 3D scanning: Oriol Mayolas / Ariadna Ollé Editing: Oriol Puig / Oriol Vives Making Of: Ariadna Ollé
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Professional bull rider Cody Campbell reaches a breaking point in his career. — Director: Jesse Rosten | http://bit.ly/2orpIi3 Director of Photography: Matt Jeppsen | http://bit.ly/2o8Zjt1 AC: Cameron Carey Grip/Electric: Sasquatch Lighting Phantom Tech: Daniel Hurst Sound: Derek Ecklund Music written and performed by: Robin Dupuy | www.robin-dupuy.com Sound Design: Nick Nylen | http://bit.ly/2orvWhC Color: Martin Melnick | Treehouse Post Special thanks to Michael Mace at Mossyrock Cattle Company, David Danton, Braiden & Colt Johnson, JT Marshell, and Jace Catlin. Extra special thanks to Koerner Camera for the lenses http://bit.ly/2o9iHpR
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“Full disclosure: after watching it three times, I’d go so far as to call it a short film masterpiece […] Stop is a quiet tour-de-force, a pent up cry for humanity and fairness in a system that feeds off its own worst instincts.” -Mike Tully, Hammer to Nail (http://bit.ly/1x8dBmV) “Reinaldo Marcus Green’s gripping nine-minute drama, shot in two nights on location in Red Hook, Brooklyn, centers around a student athlete who is stopped by the police for no other reason than the color of his skin. Displaying real filmmaking finesse, ‘Stop’ is a timely tale well told.” –Kim Adelman, indieWIRE (http://bit.ly/1sV4M3x) “A riveting, tension-filled short that studies the uncomfortable details apparent in racial profiling.” –Erik Luers, indieWIRE (http://bit.ly/1wpwwZg) “Probably one of the most important and timely shorts for America this year. Reinaldo Marcus Green’s film addresses the upsetting aspects of New York City’s stop-and-frisk policies with sensitivity and insight.” -Jeff Bowers, VICE (bit.ly/1mU7HHQ) “The film packs a lot in nine minutes with its timely topic and subtle hand.” –Maddy Kadish, Independent (http://bit.ly/1w5EdKr) “References to slain teen Trayvon Martin and the recent racially charged events of Ferguson and New York City surfaced in direct and subtle ways throughout the festival, but the most powerful was NYU student Reinaldo Marcus Green’s nine-minute short Stop” –Julie Bramowitz, VOGUE (http://bit.ly/2oZR1D0) “Reinaldo Marcus Green On Going From Working At Chuck E. Cheese To Playing His Film At Tribeca” –Mary Angelica Molina, REMEZCLA (http://bit.ly/1HwNqOX) “Gripping Take on the NYPD’s Stop-and-Frisk Policy. It’s also an Adweek Watch Awards winner.” –Michael Bürgi, Adweek STOP OFFICIAL SELECTIONS / AWARDS 2015 Sundance Film Festival (World Premiere), Hammer to Nail (Runner Up) Omaha Film Festival, Atlanta Film Festival, Annapolis Film Festival, Aspen Shortsfest, Ashland Independent Film Festival, Florida Film Festival, Sarasota Film Festival, Tribeca Film Festival, Nashville Film Festival, Chicago Critics Film Festival, Twister Alley Film Festival, Berkshire International Film Festival, Rooftop Films, Milwaukee Film Festival, Monadnock Film Festival, West Chester Film Festival, Longstory Shorts Film Festival, First Run Film Festival, Rainier Independent Film Festival,Mammoth Lakes Film Festival, St. Cloud Film Festival (Grand Jury Prize), Los Angeles Film Festival, Oak Cliff Film Festival, Cayman Islands Film Festival, Indy Film Fest, Guanajuato International Film Festival, Tacoma Film Festiva (25 New Faces)l, BFI London Film Festival,Bend Film Festival, Nitehawk Film Festival, Wandering Reel Film Festival, Tampere Film Festival (Finland), *National Board of Review (Student Grant Winner) *Adweek Watch Awards (Winner Best Drama Video) *Rooftop Films Special Screening, The Frame *Short of the Week *VICE Best Online Shorts 2015 Contact: info@greenbrosfilms.com | http://bit.ly/2pHrhcu | twitter: @greenbrosfilms
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Felt produced the music for the film at the heart of the campaign. Pearson’s animated viral ‘The Alphabet of Illiteracy’ is based on sculptor Wilfrid Wood’s work and cycles through twenty six distinct issues caused or worsened by illiteracy. Felt created an adaptation of the the song ‘A – You’re Adorable’ most famously sung by Perry Como and the Fontane Sisters. The adaptation was performed by singer songwriter Malory Torr.
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Bernard Kerr spends his winter down in the southern side of the world preparing for his Crankworx and World Cup season. In this new edit, he hits iconic locations around town and the infamous and newly revamped Dream Track.
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An anatomical PowerPoint presentation about why a man has become what he is. Categorically, from toe to top, the sore spots of his medical history gets its explanation through a liberating dark and very humorous film about life and its conditions.
(Source: https://player.vimeo.com/)