Sexy yetis, scientists and neon colours collide in Better Humans: a kaleidoscopic romp through the possibilities of gene editing and body augmentation. As part of a 7-part series commissioned by Massive Science on the lasting impact of Mary Shelley’s Frankenstein. We designed the film entirely with Posca pens on plastic cels, head to our website for some insight on the making of this project: http://bit.ly/2KQODuA Produced, Directed and Designed by Moth Studio Animation: Maria Morris, Keziah Philipps, Knifeson Yu and Moth Studio Compositing: Daniele Baiardini, Keziah Philipps, Ross Plaskow and Moth Studio Featuring Braden Allenby, environmental ethicist and environmental attorney http://bit.ly/2N9vqko Conor Walsh, biomedical engineer http://bit.ly/2KQODL6 Sound + Music by Skillbard http://bit.ly/1HMH10a A Co-Production of Massive + Plympton http://bit.ly/2Ig1Ve4 + http://bit.ly/2KdXTYw Producer Harriet Bailey http://bit.ly/2MhHG1T Senior Producer Nadja Oertelt http://bit.ly/2K14hTQ Executive Producers Ed Finn + Bob Beard http://bit.ly/2Ig1WPa + http://bit.ly/2JYTaKU Produced for the Frankenstein Bicentennial Project at Arizona State University http://bit.ly/2KQOIhS In partnership with the MIT Press and the MIT Media Lab Supported by the Alfred P. Sloan Foundation Subscribe to Massive http://bit.ly/2Kf5hmt Full series can be found here: http://bit.ly/2Kay2Rd
(Source: https://player.vimeo.com/)