This is compilation of hyperlapse videos that I shot over the course of the past 2 years. I spent a lot of time scouting for locations, waiting for the perfect conditions, and catching the beauty of the city. Lighting is important. Sunrises, sunsets; transitions from dawn to day, and from dusk to dark. I used a lot of self-developed tricks and techniques in both the shooting and editing processes – it took a lot of time and passion to make this video. The music that I used is a wonderful ODESZA (http://odesza.com/) remix of a PRETTY LIGHTS (http://bit.ly/1WLu8wl) track entitled ONE DAY THEY’LL KNOW. There is plenty of beautiful music on this album that you can find here http://apple.co/1PHkHJu It was hard to find the right music, but this amazing track matched perfectly with my idea for the video. Some of these clips, as well as many more, are available for licensing. You can check out my collection here http://bit.ly/1WLu9jS For all questions and inquires; email me: vlgoesla@gmail.com Thank you and enjoy! vadimla.com

What started as the DC Downhill Club (DCDC) has grown into DC Drain and Clean – a group of skateboarders from the Washington, DC area who have made it their mission to seek out backyard pools to drain and skate – making unique friendships along the way. Shot on Red Epic Dragon, Leica R lenses and Duclos 11-16mm. Plus a few shots on the Scarlet. Special thanks to Anthony and the DCDC crew for allowing us to document their work. Produced by RUN RIOT FILMS Directed and Edited by CHRIS TUSS Cinematography – DAVE ADAMS Additional Cinematography – BRIAN STANSFIELD Aerial Pilot – BRYAN HARVEY Additional Audio Recording – JOSIE SWANTEK Production Assistants – KYLE BILLER, EMMA ASHER, KATIE BRYDEN Color Correction – SAM GURSKY, Irving Harvey Sound Design / Mix – ROB FRITTS, Shine Creative Music – MUSIC BED, CHUCK FAY, HOLDFAST

Watch our full film series for ICP at: http://bit.ly/1EaqfLH The fundamentals of warfare are changing in the United States. Pilots, sitting in a shipping container in Nevada, are waging war all over the world using drones that can stay in the air for days at a time. Their bombs represent an increasingly significant part of the United States global war on terror, and it’s being done largely in secret. The details and reasonings for these strikes are classified, kept away from the scrutiny of the media. Tomas van Houtryve wanted to find a way to visualize this war. “If we don’t ever see who are victims are, then that empathy never kicks in. I want there to be a permanent visual record of the dawn of the drone age, the period in American history when America started outsourcing their military to flying robots,” said van Houtryve. In order to create this record, van Houtryve sent his own drone into American skies. “I decided to attach my camera to a small drone and travel across America to photograph the very sorts of gatherings mentioned in strike reports from Pakistan and Yemen – weddings, funerals, groups of people praying or exercising. By creating these images, I aim to draw attention to the changing nature of personal privacy, surveillance, and contemporary warfare,” said van Houtryve.

Written & Directed by: Matt Ingebretson Director of Photography: KR Blair-Henderson Cast: Richard Bain, Jen D’Angelo, Josh Fadem, Matt Ingebretson, Esther Povitsky, Anna Seregina, Jake Weisman Edited by: KR Blair-Henderson Sound Design & Mix by: Joey Izzo Sound: Joshua Blackburn Assistant Camera: Jacob Frye Produced by: Matt Ingebretson & KR Blair-Henderson Music: Kanonenfutter by 2 Zimmer Gefüge (purchase music here: http://bit.ly/1NK2EkO)

Our most ridiculously labor-intensive animation ever! The traditional Passover folk song rendered in embroidermation by Nina Paley and Theodore Gray. These very same embroidered matzoh covers are available for purchase here: http://bit.ly/1Joxi3k Music: Chad Gadya sung by Moishe Oysher with the Abraham Nadel Chorus (circa 1955?), in Aramaic and Hebrew