http://bit.ly/2lZe9NP Director: Anton Tammi / www.antontammi.com Featuring: Sara Cummings & Zoë Bleu DP: Erik Henriksson 1st AC: Robert Agulo 2nd AC: Luna Cruor Production Designer: Rosie Turnbull Art Director: Rachel Zabala Set Decorators: Madeline Pflug & Mary Kerrigan Makeup: Yuui Vision Style: Lisa Jarvis & talent’s own Editing / Post: Tim Montana & Matt Nee Sound Design: Matti Ahopelto & JIL 3D: Morumotto Colorist: Duncan Russell, Free Folk Producers: Andre Bojanic, Mac Petrycki, Emily Rudge Executive Producer: Martin Howell Thank you: Ida Gündoğdu, Aleksi Tammi, Bruce Smear, Pekko, BRTHR, Elisa Richardson, Fernando Souza Ramos, Casey Drogin, Waltteri Vanhanen, Jenna Lehmussaari, Janne Vartia, Cheryl Payne, Gregory Hayes, Chemistry Creative, Doug Durant, Justin Derry, Jordan Hemingway, Denise Cheng, Naftali Beane Rutter, Ece Şahin, Jaana Anttila, Pekka Tammi, Joel Jägerroos, Richard Conway & Bibi Andersson “I still think about you all the time.”

a short film about aggression and escalation. Festivals: Stockholm Animation and Experimental Film Festival, Sweden. Best Animated Film ASIFA East Animation Festival, NYC. 1st Prize, Independent Animation Black Maria Film Festival. Jury’s Citation Award Ottawa International Animation Festival Florida Film Festival New Orleans Film Festival Sommets du cinéma d’animation. La Cinémathèque Québécoise, Montreal. Woodstock Film Festival Martha’s Vineyard International Film Festival Bushwick Film Festival. Runner up for Best Short Film Fest Anča, Slovakia Animated Dreams, Estonia Animation Block Party, BAM, Brooklyn San Sebastian Horror and Fantasy Film Festival, Spain Stuttgart Trickfilm International Animated Film Festival, Germany Festival Córtex, Portugal Big Water Film Festival, Wisconsin St. Louis International Film Festival Coney Island Film Festival Monmouth Film Festival Animated and Directed by Morgan Miller Sound Mixing and Post Production by One Thousand Birds Studio

ATARAXIA is a short film that was born after a discussion with a good friend, Rudi. Rudi is a runner, he loves the great outdoors and running long distances. He also holds a PhD in linguistics and once talked about “ataraxia”, this incredible state of freedom that he sometimes reaches during long alpine outings. This film is about understanding that feeling. Pictures from behind the scenes: http://bit.ly/2mXX5Zn Directed by Oliver and Nicolas Jutzi Produced by www.vandyfilms.com Cinematography by Nicolas Jutzi Sound design & Mix Victor Colelough Voice over and voice recording by Rob Paterson Music by Alaskan Tapes http://bit.ly/2mxllEq Shot with RED Epic and DJI Inspire 1 X5

—– Please watch in full screen with sound on for best experience. This film is available in 4K – click the HD button and select 4K to view in 4K. Enjoy! —– Μy last trip to Norway during February, 2017. The Lofoten Archipelago is spread on the northwest side of Norway, very close to the borders of the Arctic Circle. It is a cluster of small fishing villages and is often called “the Foot of the lynx” because of its shape. The islands are full of legends, maybe because of their natural beauty and their mysterious landscapes, or maybe because there the Sun either never rises or never sets. The only thing you can hear is the thousand voices of birds, the wind and the sound of the sea. That combination of the landscape which comes into view every morning and the sounds of nature is a priceless experience that fills you with energy and inspiration for the whole day, no matter what you have to face. —– Music by Ryan Taubert – One Precious Moment —– Assistant Cinematographer – Aris Christou —– You can follow me at: Facebook – http://bit.ly/2meO0gn Instagram – http://bit.ly/2mbIUQx Website – http://bit.ly/2meDIwI Google + – http://bit.ly/2mbJHAI

SURRENDER tells the retrospective story of Milton’s journey in search of peace, one that reveals an essential truth: the experience of losing control offers unexpected and beautiful surprises. Featuring “Milton Schorr”. Director — Porteus Xandau Executive Producer — Herman Le Roux Producer — Marchant Bellingan Cinematographer — Warren James Smart Camera Assistant — John Carr Editing and Colouring — Richard Starkey Music and Sound Design — Pressure Cookers Studio, Cape Town Online — Post, Cape Town Art Direction — Ivan Fraser Wardrobe — Sumaya Parker

There is a place or fictional characters meet. Outside of time, Outside of all logic, This place is known as HELL’S CLUB, But this club is not safe TERMINATOR VERSUS TONY MONTANA VERSUS TOM CRUISE VERSUS CARLITO BRIGANTE VERSUS BLADE VERSUS JOHN TRAVOLTA VERSUS AL PACINO VERSUS PINEAD VERSUS THE MASK VERSUS ROBOCOP VERSUS DARTH VADER VERSUS MICHAEL JACKSON.

Directed and Edited by Nicolas Heller Cinematography by Oliver Lucian Anderson Produced by Alexandra Eaton Retro fashion has always been a popular form of expression, but the members of New York-based art and music collective the Tribe are taking their love for the Eighties and Nineties beyond the surface of style. For the past the three years, the Tribe’s six core members — King Kid Love, Manolo Mike, Chill, Prynce, Teddy and Paulie — have looked to the past for not only an artistic outlet but a means of creating a community of likeminded individuals. “We’ve come together to live the same vision,” King Kid Love, a musician, explains. While an old-school hip-hop aesthetic is integral to their style, each member has a different dream: Paulie is a stylist, Manolo Mike a poet. “We knew we could come together with these different ideas and succeed together with having one whole vision,” Kid Love continues. “That vision is Tribe NYC.” Kid Love remembers feeling disengaged from the interests and trends kids his age had while growing up. His unique sense of style — flat-top haircut, skinny jeans — isolated him from his peers, so he turned to books and music for comfort. On his iPod, he had nothing but Eighties and Nineties hip-hop, the kind of music his dad would play. “I didn’t know what was going on in music,” he says. All the members of the Tribe are based in Brooklyn and in their early twenties. They studied films like Juice and White Men Can’t Jump as well as old music videos for stylistic inspiration, finding Nineties style to have longevity because of its authenticity. For the Tribe, they see their community as an impending revolution. “Like Tupac said, ‘I may not be the one to start the revolution, but I’m going to be the one to spark the mind,’” Kid Love reflects. “10, 20, 30 years from now, people are always going to remember Tribe NYC.” Read more: http://rol.st/1KZDXCn