A surreal journey through the dream of video game character who has been K.O. during a match.

A small film about some of the big things in life. When is the time to settle, have kids and a partner for life? Does that commitment means you will never be able to dance or watch Game Of Thrones all night long? In this vibrant visual poem we observe a young man and woman and hear them discuss these universal reflections. They don’t have any final answers – just a lot ‘ifs’. The frustrating beauty of life. — Film of the month by Niccolò Montanari (Founder of Berlin Fashion Film Festival) at NotJustALabel.com: “A short film questioning the meaning of life, while appreciating and reflecting on its beauty.” — Written & directed // Jeppe Kolstrup Starring // Eliott Lewis and Nathalie Beaulieu DoP // Chris Lew Format // Kodak 35mm Producer // Surhay Nart Kilic Editor // Ryan Løkke Color // Lasse Marcussen/Cameo Sound // Lars Bo / Audio Lounge Music // Rasmus Yde PR // Sascha Kirk Post producer + artwork // Camilla Søholt Production company // Bad Land

A fisherman down to the DNA, Carter Andrews has no choice but to go out there and catch everything that swims. Described by a friend as a “wild man”, he does have a certain intensity about him. But you don’t have only anglers as friends unless you’re still lit up with raw joy every time a fish bites.

Photographer Joshua Holko: “The product of more than two years of planning Ghosts of the Arctic was filmed exclusively in the Arctic archipelago of Svalbard in the depths of Winter. It is my hope that the film will impart some of the haunting beauty of this incredibly precious and endangered polar wilderness; as well as give you some insight into my life as a Polar photographer. I hope you will take six minutes out of your day, set your display to full screen, turn off the lights, crank up the volume, and allow Ghosts of the Arctic to transport you away to one of the world’s most spectacular polar regions; in it’s rarely seen winter veil. Please Enjoy. My most sincere thanks to both Abraham Joffe and Dom West from Untitled Film Works who worked tirelessly for a week straight putting in eighteen hour days in freezing temperatures to shoot and produce this film. My thanks and gratitude also to my friend Frede Lamo who likewise worked tirelessly with good humour and whose assistance with expedition logistics simply made the impossible, possible. Without the dedication of this team this film would simply not have been possible. It would be remiss of me not to also provide a little insight into what it was like to make this short film. During the shoot we experienced temperatures that were never warmer than -20ºC and frequently plummeted down as low as -30ºC + wind chill factor. We were exposed to the cold and elements for up to sixteen straight hours a day. Many days we drove over two hundred kilometres on our snow mobiles in very difficult terrain and conditions as we searched for wildlife. The bumpy terrain left us battered, bruised and sore. We experienced three cases of first and second degree frostbite during the filming as well as a lot of failed equipment and equipment difficulties as a result of the extreme cold. We had batteries that would loose their charge in mere minutes, drones that wouldn’t power up and fly, cameras that wouldn’t turn on, steady-cams that would not remain steady, HDMI cables that became brittle and snapped in the cold, frozen audio equipment, broken LCD mounts, broken down snow mobiles and more. We existed on a diet of freeze dried cod and pasta washed down with tepid coffee and the occasional frozen mars bar. It is hard to put the experience into words, but just the simple act of removing ones gloves to change a memory card in these sort of temperatures when you are exhausted comes with a serious risk of frostbite. In my own case, I removed my face covering for one three minute take and suffered frostbite (from which I have not fully recovered) across the entire right hand side of my face. And whilst not all of this will come across in the film, I think I can safely say it was without any shadow of a doubt the toughest film shoot any of us have done. For the technically inclined: Ghosts of the Arctic was shot in the 2.35:1 cinema ratio in 6K+4K resolution. Absolutely no wildlife was interfered with in any way shape or form during the filming and everything you see is totally natural behaviour.

A short documentary brought to you by Poland Spring. After a brutal mugging left him with traumatic brain injury, John Pierre decided to ‘suit up’ in a neon cape and lightning bolt socks, emerging as the New York running community’s very own superhero. Special thanks to Achilles International (http://bit.ly/2uJEoPF) Director: Charles Frank Client: Poland Spring Agency: Vox Creative Head of Production: Greg T. Gordon Creative Director: Cristina Cerullo Campaign Producer: Alexandria Fontanez Production Company: Voyager Executive Producer: Andrew Hutcheson Head of Production: David Brickel Producer: Alex Liebman Cinematographer: Taylor Mcintosh Editors: Nico Bovat & Charles Frank Sound Mixer: Pablo Diez Casajuana PA: Dom Del Russo PA: Ozum Demirel Music: Pinc Louds (http://bit.ly/2vJlLIJ) & Chris Zabriskie (http://bit.ly/2uJXmFs) Audio Post: One Thousand Birds Audio Post Producer: Kira MacKnight Sound Designer: Calvin Pia

Probably the world’s first cathedral flow motion. Something of a passion project for me getting to shoot my home town and capture it in it’s best light. Constructed in 1096 Norwich Cathedral dominates the Norwich skyline to this day. Was super cool getting to explore all the secret areas whilst working on the video. Facebook http://bit.ly/2vsRPRH http://bit.ly/1AKnflo http://bit.ly/2vszmEN Twitter @Nrw_Cathedral @kwhi02 @VisitNorwich Instagram http://bit.ly/2uj5k89 http://bit.ly/1AffxxE http://bit.ly/2uiJ2U0

“You don’t know what you don’t know, and it might be better than what you do…” Another one in our series of six city portraits for Rapha. Executive Producer: Dalia Burde Creative Director: Amani King Director/DP: Spencer MacDonald Editor: Cooper Kenword Production Manager: Bijan Rafie-Tari AC: Troy Dickerson Production Co: Avocados and Coconuts Art Director: David Evans Sound Mix: Chris Konovaliv @ Audiolux Color: AJ Molle Client: Rapha

A huge thanks to everyone who has stepped into this story with me and my family. I’m forever grateful. -Jon http://bit.ly/2uihKeV

Prizes : -WFB Prize @ BSFF (Belgium) -Best short film @ Belgrade Documentary and Short Film Festival 2017 (Serbia) -Best Screenplay @ SHORT TO THE POINT!!! -Best Performance @ WILDsound FEEDBACK Film and Screenplay Festival (Canada) Selections : Official Selection – The International Short Film Festival of Cyprus 2017 Official Selection – 23rd Encounters Festival (UK) Official Selection – Festival Tournez-Court (France) Official Selection – Buddha International Film Festival (India) Official Selection – ANONIMUL International Independent Film Festival (Romania) Official Selection – Open Air Filmfest Weiterstadt (Germany) Official Selection – 11th MOSCA – Cambuquira Short Film Festival (BRAZIL) Official Selection Middle Coast Film Festival 2017 (USA) Official Selection 5th Kraljevski Filmski Festival (Serbia) Official Selection 14th Indy Film Fest 2017 (USA) Official Selection Still Voices Short Film Festival (Irland) Official Selection 15th Tabor Film Festival (Croatia) Official Selection Palm Springs 2017 (USA) Official Selection 7th OderKurz-Filmspektakel (Germany) Official Selection WILDsound FEEDBACK Film and Screenplay Festival (Canada) Official Selection 6th Ploiesti International Film Festival (Romania) Official Selection BSFF 2017 (Belgium) Official Selection 6th Carmarthen Bay Film Festival 2017 (Uk) Official Selection Kyiv International Short Film Festival 2017 (Ukraine) Official Selection Belgrade Documentary and Short Film Festival 2017 (Serbia) Official Selection 44. Festival of Nations 2017 (Austria) Official Selection Regard Film Festival 2017 (Canada) Official Selection Be Film Festival 2017 (Belgium) « Etat d’alerte sa mère » est une comédie surréaliste qui dépeint une société où les violences policières et l’atteinte à nos vies privées seraient devenues banales, normales, lassantes… « State of Emergency motherfucker» is a surrealistic comedy that depicts a society where police violence and invasion of privacy are daily routine, normal, tedious… Cast // Yassine Fadel & Ilias Bouanane Written & Directed by Sébastien Petretti. Produced by Lovo Films, Abyssal Process, WFA pictures and Squarefish. Music : Killasoundyard – killasoundyard.fr/ All inquiries : francois@lovo.be

This film is an ode to the strength and grace of Arab women and their continuous fight for feminist action. Together, the women walk into the water, confident in their agency and fearless in their determination for a sea change. Music Video for Mashrou’ Leila. Written and directed by Jessy Moussallem Produced by Clandestino Films and CAVIAR Executive Producers: Wissam Smayra – Ray Barakat – Katie Dolan Producers: Farah Assaf – Antoine Taymour Sfeir DP: Daniel Férnandez Abelló Choreographer: Tuixén Benet Dancer: Dorine Aguillar Editor: Carlos Font Clos Colorist: Houmam @MPC Online artist: Sebastien Leclercq Special thanks: Cherif Massoud, Andre Chammas, Sarah Huneidi, Ayla Hibri, Melanie Dagher, Toni Sfeir, Coco Germanos, Nour Saliba, Gabriella Kassab, Reem Khoury, Maya Ammar. Filmed in Lebanon.