• Director: Daniel Arnold Producer: Joanna Cohen Cinematography: Mika Altskan 1st AC: Will Castellucci Titles: Roi Cydulkin Shot on 35mm Kodak

  • ‘NELLIE BLY MAKES THE NEWS’ is an animated documentary about the legendary journalist who changed the game for women in reporting before women even had the right to vote. Examining boundaries between reporting and storytelling, it creates a dynamic portrait of a woman who refused to accept the status quo. Directed by Penny Lane

  • GARAGE DE SOIR (Garage At Night ) Court métrage fiction | 2017 | Québec, Canada | 12:48 min| 2.39:1 |HD | Couleur |Stereo| Français + Eng. Subs. Cast Grand frère: Guillaume Laurin Petit frère: Antoine Pilon Emilie: Ève Lemieux Père: Stéphane Messier Crew Production : Aurélie Breton, Daniel Daigle (Les Films Émoi, Grande Roue) Réalisation : Daniel Daigle Scénario : Daniel Daigle Direction photo : Louis Lavoie Isebaert Direction artistique : Caroline Carré Montage : Daniel Daigle Son: Daniel Tardif Musique : David Fleury Synopsis Douze mois. Quatre saisons. Deux frères. Et un garage de soir. Twelve months. Four seasons. Two brothers. And a garage at night. Bio Passionné du 7ème art depuis l’enfance, Daniel est diplômé du programme Film Production de l’Université Concordia. En 2016, il signe son premier court métrage de fiction, C’est mon kid. L’année suivante il réalise son second, Garage de soir. Parallèlement, il développe un troisième court métrage et scénarise un long métrage. Passionate about filmmaking since childhood, Daniel is a graduated from Concordia University’s Film Production program. In 2016, he directed his first short film. Nightttime Garage is his second. He’s currently working on a third short film, while writing a feature film. Festivals Carrousel du Film de Rimouski |2017| Official Competition Festival du Film de la Ville de Québec |2017| Official Competition Festival de Cinéma en Abitibi-Témiscamingue |2017| Official Competition *WINNER AUDIENCE PRIZE* Cinefest Sudbury |2017| Official Competition FICFA, Moncton |2017| Official Competition Festival Vues dans la tête, Rivière-du-loup |2018| Official Competition Rendez-Vous du Cinéma Québécois, Montréal |2018| Official Competition Prix PCC!, Montréal |2018| Official Competition *WINNER PRIX CQAM, HONORABLE MENTION PRIX PIERRE FALARDEAU* Regard sur le court métrage au Saguenay |2018| Official Competition Canadian Screen Awards |2018| Official Competition RiverRun Film Festival |2018| Official Competition *WINNER BEST NARRATIVE SHORT FILM* Festival Interactif de Cinéma de Lévis |2018| Official Competition Soirée Kino MTL |2018| Official Screening FCVQ @ Comediha! |2018| Official Screening Palm Springs Shortfest and Market |2018| Official Competition Filmographie du réalisateur C’est mon kid |2016| Short Film Travelling, les films qui voyagent / Attn : Alexandre Dostie / coordo@travellingdistribution.com/ 1 514 467-8160 Aurélie Breton/ aurelie.breton59@gmail.com / Daniel Daigle / danielsdaigle@gmail.com / facebook.com/garagedesoir /

  • cool3dworld.com/ facebook.com/cool3dworld/ instagram.com/cool3dworld/ twitter.com/cool3dworld cool3dworld.bandcamp.com/

  • Film by Allison Schulnik * 2019 * 3:15min Gnossienne No. 1 * written by Erik Satie * Performed by Nedelle Torrisi **************************************^****************************************** MOTH is a traditionally animated, hand painted, gouache-on-paper film. It is animated mostly straight-ahead, with frames painted on paper almost daily for 14 months. The film seeded and bloomed from the simple act of a moth hitting the artist’s studio window and continues as a wandering through the primal emotions of birth, motherhood, body, nature, metamorphosis and dance. MOTH Copyright Allison Schulnik 2019

  • As a young trans woman cares for her Italian grandmother, she discovers a tender bond in their shared vulnerability. “For Nonna Anna” is this week’s Vimeo Staff Pick Premiere. Read more about it here: http://bit.ly/2WbNgre With: Maya Henry, Jacqueline Tarne, Anna Pecchia, Remy Barone Written and Directed by: Luis De Filippis Produced by: Nava Rastegar Lucah Rosenberg Lee Luis De Filippis Cinematography: Kelly Jeffrey Art Direction: Lindsay Hogan Editing: Kristy Neville Wardrobe: Syndné Barnes – Wright First AD: Andrew Moir Sound: Patrick Kelly

    (Source: http://bit.ly/)
  • EL ESCARABAJO AL FINIAL DE LA CALLE (“The Beetle at the end of the Street”/ “Le Scarabee au bout de la rue”) English Subtitles Embedded Para subtítulos en ESPAÑOL, clickar “CC” y seleccionar la opción en el reproductor. TYPE: Short Movie GENRE: Comedy/Drama LENGTH: 18:15min COUNTRY: Spain ORIGINAL LANGUAGE: Valencian/ Spanish SHOOTING FORMAT: Arri Alexa Classic; 25fps, 2’39:1, Color. SOUND: Dolby 5.1 When a psychic fishmonger foresees Amadeo’s death, his fellow villagers rally to give him the best final seven days for which one could ask. Amadeo vive en un tranquilo pueblo de Valencia y, desde que murió su mujer, se dedica en cuerpo y alma a cuidar de su suegro inválido, el señor Agustín. Un buen día, Lolín, la hija de la pescadera, tendrá una premonición al decapitar una anguila: a Amadeo le quedan siete días de vida. Depuis que sa femme est décédée, Amadeo prend soin de son beau-père, invalide. Il mène une vie routinière et tranquille dans un petit village en Valence, jusqu’au jour où Lolín, la fille de la poissonnière, a une prémonition : Amadeo n’a plus que 7 jours de vie…

  • This is the story of Lamar, a 12-year old vampire with a dark secret. http://bit.ly/2QHLZXK CAST (in order of appearance) Lamar – Jeremiah Waysome Karissa – Ethosheia Hylton Jeremy – Selorm Adonus Aaron – Amari Webb-Martin Lucas – Ashley Stewart Noah – Lance Bremmer Ben – Cameron Douglas bus victim – Dayne Waysome nurse – Verdet Kessler doctor – Luca Armato CREW director – Eugen Merher script – Eugen Merher, Mortimer Hochberg, Philip Chrobot dop – Mortimer Hochberg producer – Philip Chrobot, Gerrit Klein production manager UK – Tatenda Jamera casting – Jeremy Zimmermann editor – David Gesslbauer color grading – Marina Starke VFX – ACHT Hamburg GmbH production design – Maike Kiefer production design assistants – Christina Anna Sophie Mammes, Jake Parker music composition – Alexander Wolf David sound design – Robin Harff sound recordist – Robert Chen, Hubert Adam Wieckowski costume designer – Lena Peifer-Weiß make up / SFX – Olivia Henderson 1st AC – Leo Sikstel 2nd AC – Harry Milton production company – Filmakademie Baden-Württemberg FILM SCHOOL senior lecturers – Bernd T. Hoefflin, Zoran Bihac, Martin Schmid, Florian Sigl project coordinator – Olivia Marten line producer Filmakademie Baden-Württemberg – Thomas Lechner SPECIAL THANKS Maike Hornberg@DSD – Deutsche Stammzellspenderdatei, Caligari Förderpreis, Esther Kurle@BITE Management, Maik Siering@Sterntag Film GmbH, Max Krumbe@ACHT Hamburg GmbH, Vantage Film GmbH, Lisa Dee@Film LBBD London, Danny O’sullivan & Suraya Khanom@City Wood Services, Lukas Hoffmann@Kaiser Showtechnik, Andreas Niemann@Look Solutions, Felix Lang@UFO Filmgerät GmbH, Arda Yücel, Manuel Schlösser@Universitätsklinikum Tübingen Special thanks to all parents! A production by Filmakademie Baden-Württemberg ©2019

  • Shin Biyajima, a Japanese snowboarder, shares the intimate story of how he found his Ikigai (生きがい) or “reason for being” through a lifetime of adoration and exploration of his mountainous backyard of Nagano, Japan. Joined by American snowboarder Travis Rice, Ikigai is an immersion into Shin’s life, Japanese mountain culture, and the similarities between two friends who despite being an ocean apart, grew up with two things in common; the mountain as a classroom and a deep affinity for board riding. ———————————————————— I was able to spend three years traveling and exploring the Japanese Alps with Shin Biyajima during the production of “The Fourth Phase” film. During that time I shared so many adventures and conversations with this new friend of mine. After our film released, I really wanted to capture a more authentic portrait of Shin and his process of living and riding as a Japanese snowboarder. I spent about six weeks over two years following Shin around his backyard in the Nagano Prefecture hiking, inquiring and immersing myself in Shin’s universe. Joined by film maker Justin Smith, we wanted to capture an intimate portrait of a lifestyle that is quite foreign compared to the norms of North America, yet still strangely similar to the principles that most snowboarders share around the love of the mountains. – Travis Rice ———————————————————— Directed By: Justin Taylor Smith Created By: Travis Rice Starring: Shin Biyajima & Travis Rice Cinematography By: Justin Taylor Smith, Sean Aaron, Greg Wheeler, Hiroaki Yonekura Editor: Justin Taylor Smith Assistant Editor: Dylan Parr Colorist: Scott Sterling Sound: Erik Groysman Post Supervisor: Ariel Zemlicka Music Supervision: Lory Vincent Music By: Blitzen Trapper, Young Magic, Sugar Candy Mountain

  • How far would you go for your Hatch-A-Friend? NERDIST WRITE-UP: http://bit.ly/2JD0pHR track by RIVER GODS (http://bit.ly/2wyK66n) writer / dir – peter ferris rosati dp – roger jc lee pd – natalie rose nicholas ad – sophia malaspina vfx – cooper vacheron gaffer / ac – evan yee key grip – sam kim location sound – dylan grossman sound design – chris battaglia set dec / pa – maddy mulderry set dec – catherine reagan illustrator – peter ferris rosati thanks – anna kuo, tyler weinberger, saoli nash, douglas emerson, jacob roasti, taylor meacham, cypherblu ~ starring ~ seth nocos allie wittner henry maclean natalie rose nicholas maddy mulderry

    (Source: http://bit.ly/)